{"id":10712,"date":"2016-09-30T20:42:06","date_gmt":"2016-09-30T18:42:06","guid":{"rendered":"http:\/\/etiudaandanima.com\/?p=10712"},"modified":"2016-09-30T21:15:29","modified_gmt":"2016-09-30T19:15:29","slug":"the-results-of-the-selection-of-etiuda-contest-2016","status":"publish","type":"post","link":"https:\/\/fundacja.etiudaandanima.pl\/en\/news\/the-results-of-the-selection-of-etiuda-contest-2016\/","title":{"rendered":"We already know the results of the selection of Etiuda contest 2016"},"content":{"rendered":"<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10710 aligncenter\" title=\"Lokatorki\/Tenants, re\u017c.\/dir. Klara Kocha\u0144ska\" src=\"http:\/\/etiudaandanima.com\/wp-content\/uploads\/2016\/09\/lokatorki61523.jpg\" alt=\"Lokatorki\/Tenants, re\u017c.\/dir. Klara Kocha\u0144ska\" width=\"706\" height=\"339\" \/><\/p>\n<p><strong>List of films accepted to the competition in \u00a0Etiuda contest 2016 \u00a0competing for awards of Golden Dinosaur (15,000 PLN), Silver and Bronze Dinosaur:<\/strong><\/p>\n<ul>\n<li><em>Auf \u00dcberlandfahrt\/Cross-Country Drive<\/em>, re\u017c.\/dir. <strong>Borb\u00e1la Nagy<\/strong>, Deutsche Film- und Fernsehakademie Berlin, Niemcy\/Germany, 20\u201943\u2019\u2019<\/li>\n<li><em>Beneath the Wheel<\/em>, re\u017c.\/dir. <strong>Eun-mi Kwak<\/strong>, KAFA \u2013 Korean Academy of Film Arts, Korea\/Republic of Korea, 20\u201948\u2019\u2019<\/li>\n<li><em>Boat People<\/em>, re\u017c.\/dir. <strong>Paul Mesch\u00f9h<\/strong>, Hochschule f\u00fcr Fernsehen und Film M\u00fcnchen, Niemcy\/Germany, 28\u201949\u2019\u2019<\/li>\n<li><em>Das Gegenteil von Orange\/The Opposite of Orange<\/em>, re\u017c.\/dir. <strong>Christopher Kaufmann<\/strong>, Hamburg Media School, Niemcy\/Germany, 11\u201942\u2019\u2019<\/li>\n<li><em>De Profundis<\/em>, re\u017c.\/dir. <strong>Eugeniusz Pankov<\/strong>, Pa\u0144stwowa Wy\u017csza Szko\u0142a Filmowa, Telewizyjna i Teatralna w \u0141odzi, Polska\/Poland, 21\u201931\u2019\u2019<\/li>\n<li><em>Die Stille\/Still<\/em>, re\u017c.\/dir. <strong>Lily Erlinger<\/strong>, Filmakademie Baden-W\u00fcrttemberg, Niemcy\/Germany, 29\u201910\u2019\u2019<\/li>\n<li><em>Dummy<\/em>, re\u017c.\/dir. <strong>Riyana Kasmawan<\/strong>, Swinburne University of Technology, Australia\/Australia, 12\u201928\u2019\u2019<\/li>\n<li><em>Dziadku, nie s\u0142ysz\u0119\/Say it Again, Grandpa<\/em>, re\u017c.\/dir. <strong>Izabela Kiszczak<\/strong>,\u00a0 Pa\u0144stwowa Wy\u017csza Szko\u0142a Filmowa, Telewizyjna i Teatralna w \u0141odzi, Polska\/Poland, 21\u201929\u2019\u2019<\/li>\n<li><em>Eva<\/em>, re\u017c.\/dir. <strong>Francisco Pareja<\/strong>, Escuela Nacional de Cine, Wenezuela\/Venezuela, 12\u201904\u2019\u2019<\/li>\n<li><em>Forbidden Notes<\/em>, re\u017c.\/dir. <strong>Sonam Singh<\/strong>, Film and Televison Institut of India, Indie\/India, 15\u2019<\/li>\n<li><em>Freelance<\/em>, re\u017c.\/dir. <strong>Liliya Tkach<\/strong>, Ostankino Moscow Institute of Television and Radio Broadcasting, Rosja\/Russian Federation, 16\u201952\u2019\u2019<\/li>\n<li><em>Gemelos\/Twins<\/em>, re\u017c.\/dir. <strong>Pablo Radice<\/strong>, Universidad de Buenos Aires \u2013 Facultad de Arquitectura Diseno y Urbanismo, Argentyna\/Argentina, 13\u201901\u2019\u2019<\/li>\n<li><em>Kis<\/em>, re\u017c.\/dir. <strong>Svetlana Bolycheva<\/strong>, Russian State University of Cinematography (VGiK), Rosja\/Russia, 20\u201933\u2019\u2019<\/li>\n<li><em>La Hija Prometida\/The Promised Daughter<\/em>, re\u017c.\/dir. <strong>Fernando Rangel<\/strong>, Centro de Capacitaci\u00f3n Cinematogr\u00e1fica, Meksyk\/Mexico, 15\u201958\u2019\u2019<\/li>\n<li><em>La rabia de Clara\/Clara's Rage<\/em>, re\u017c.\/dir. <strong>Michelle Garza Cervera<\/strong>, Centro de Capacitaci\u00f3n Cinematogr\u00e1fica, Meksyk\/Mexico,\u00a0 21\u201917\u2019\u2019<\/li>\n<li><em>Le Steak De Tante Margaux<\/em>, re\u017c.\/dir. <strong>Sameh Alaa<\/strong>, EICAR \u2013 The International School of Film &amp; Television Paris Francja\/France, 11\u201921\u2019\u2019<\/li>\n<li><em>Lokatorki\/Tenants<\/em>, re\u017c.\/dir. <strong>Klara Kocha\u0144ska<\/strong>,\u00a0 Pa\u0144stwowa Wy\u017csza Szko\u0142a Filmowa, Telewizyjna i Teatralna w \u0141odzi, Polska\/Poland, 29\u201940\u2019\u2019<\/li>\n<li><em>Maman und das Meer\/Maman and the Ocean<\/em>, re\u017c.\/dir. <strong>David Wagner<\/strong>, Hamburg Media School, Niemcy\/Germany, 9\u201941\u2019\u2019<\/li>\n<li><em>Nabelschnur\/Umbilical Cord<\/em>, re\u017c.\/dir. <strong>Eliza Petkova<\/strong>, Deutsche Film- und Fernsehakademie Berlin, Niemcy\/Germany, 27\u201913\u2019\u2019<\/li>\n<li><em>Nauka\/Education<\/em>, re\u017c.\/dir. <strong>Emi Buchwald<\/strong>, Pa\u0144stwowa Wy\u017csza Szko\u0142a Filmowa, Telewizyjna i Teatralna w \u0141odzi, Polska\/Poland, 19\u201939\u2019\u2019<\/li>\n<li><em>Neighbours<\/em>, re\u017c.\/dir. <strong>Gabriel Khotivari<\/strong>, The Shota Rustaveli Theatre and Film Georgia State University, Gruzja\/Georgia, 14\u201932\u2019\u2019<\/li>\n<li><em>Oto Polska, w\u0142a\u015bnie\/Poland, My Beloved<\/em>, re\u017c.\/dir. <strong>\u0141ukasz Perkowski<\/strong>, Akademia Multi Art, Polska\/Poland, 5\u201948 \u2018\u2019<\/li>\n<li><em>Pa'am Ahrona\/One Last Time<\/em>, re\u017c.\/dir. <strong>Maayan Meya Cohen<\/strong>, Tel Aviv University, Izrael\/Israel, 22\u201903\u2019\u2019<\/li>\n<li><em>Pitter Patter Goes My Heart<\/em>, re\u017c.\/dir. <strong>Christoph Rainer<\/strong>,\u00a0 Filmakademie Baden-W\u00fcrttemberg, Filmakademie Wien, Columbia University, Niemcy\/Germany, 21\u201954\u2019\u2019<\/li>\n<li><em>Riphsime and Shota<\/em>, re\u017c.\/dir. <strong>Lasha Basharuli<\/strong>, The Shota Rustaveli Theatre and Film Georgia State University, Gruzja\/Georgia, 12\u201921\u2019\u2019<\/li>\n<li><em>Samira<\/em>, re\u017c.\/dir. <strong>Charlotte A. Rolfes<\/strong>, Hamburg Media School, Niemcy\/Germany, 16\u201919\u2019\u2019<\/li>\n<li><em>Sexo limpio\/Clean Sex<\/em>, re\u017c.\/dir. <strong>Maria Conchita Diaz<\/strong>, Centro de Capacitaci\u00f3n Cinematogr\u00e1fica, Meksyk\/Mexico, 13\u201936\u2019\u2019<\/li>\n<li><em>Shujayya<\/em>, re\u017c.\/dir. <strong>Mohammed Almughanni<\/strong>,\u00a0 Pa\u0144stwowa Wy\u017csza Szko\u0142a Filmowa, Telewizyjna i Teatralna w \u0141odzi, Polska\/Poland, 21\u201901\u2019\u2019<\/li>\n<li><em>Sightseeing<\/em>, re\u017c.\/dir. <strong>David Borb\u00e1s<\/strong>, Budapest Metropolitan University, W\u0119gry\/Hungary, 29\u201945\u2019\u2019<\/li>\n<li><em>Star David<\/em>, re\u017c.\/dir. <strong>Eugene Koshin<\/strong>, Higher Courses for Screenwriters and Directors, Ukraina\/Ukraine, 16\u201901\u2019\u2019<\/li>\n<li><em>Szcz\u0119ko\u015bcisk\/Lockjaw<\/em>, re\u017c.\/dir. <strong>Kordian K\u0105dziela<\/strong>, Wydzia\u0142 Radia i Telewizji Uniwersytetu \u015al\u0105skiego, Polska\/Poland, 30\u201900\u2019\u2019<\/li>\n<li><em>The Truants<\/em>, re\u017c.\/dir. <strong>Aaron Dunleavy<\/strong>, University of Arts London, Wielka Brytania\/United Kingdom, 12\u201922\u2019\u2019<\/li>\n<li><em>Time to Die, Motherfuckers<\/em>, re\u017c\/dir. <strong>Annika Sehn<\/strong>, Jonas Spriestersbach, Hochschule f\u00fcr Fernsehen und Film M\u00fcnchen, Niemcy\/Germany, 15\u201905\u2019\u2019<\/li>\n<li><em>Tobi<\/em>, re\u017c.\/dir.\u00a0 <strong>Kristina Kean Shtubert<\/strong>, Deutsche Film- und Fernsehakademie Berlin, Niemcy\/Germany, 5\u201940\u2019\u2019<\/li>\n<li><em>Traveling on One Leg<\/em>, re\u017c.\/dir. <strong>Alexandru Petru Badelita<\/strong>, Le Fresnoy \u2013 Studio national des arts contemporains, Francja\/France, 16\u201925\u2019\u2019<\/li>\n<li><em>Tuta<\/em>, re\u017c.\/dir. <strong>Sandro Souladze<\/strong>, The Shota Rustaveli Theatre and Film Georgia State University, Gruzja\/Georgia, 27\u201956\u2019\u2019<\/li>\n<li><em>Urban Cowboys<\/em>, re\u017c.\/dir. <strong>Pawe\u0142 Ziemilski<\/strong>, Wajda School, Polska\/Poland, 29\u201902\u2019\u2019<\/li>\n<li><em>Wert der Arbeit\/Sweeper's Pride<\/em>, re\u017c.\/dir. <strong>Matthias Ko\u00dfmehl<\/strong>, Hamburg Media School, Niemcy\/Germany, 7\u201920\u2019\u2019<\/li>\n<li><em>Werkzaamheid\/Work<\/em>, re\u017c.\/dir. <strong>Oscar van der Kruis<\/strong>, 2015, AHK \u2013 Amsterdamse Hogeschool voor de Kunsten, 23\u201935\u2019\u2019<\/li>\n<li><em>Worry Me in the Daytime<\/em>, re\u017c.\/dir. <strong>Sebastian Broadbent<\/strong>, School of Film &amp; Television Victorian College of the Arts, Australia, 21\u201926\u2019\u2019<\/li>\n<\/ul>\n<p><strong>Schools competing for the Special Golden Dinosaur Award (for the best set of the films - minimum of 3 films in competition):<\/strong><\/p>\n<ul>\n<li>Centro de Capacitaci\u00f3n Cinematogr\u00e1fica<\/li>\n<li>Deutsche Film- und Fernsehakademie Berlin<\/li>\n<li>Hamburg Media School<\/li>\n<li>Pa\u0144stwowa Wy\u017csza Szko\u0142a Filmowa, Telewizyjna i Teatralna w \u0141odzi<\/li>\n<li>The Shota Rustaveli Theatre and Film Georgia State University<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>List of films accepted to the competition in \u00a0Etiuda contest 2016 \u00a0competing for awards of Golden Dinosaur (15,000 PLN), Silver and Bronze Dinosaur: Auf \u00dcberlandfahrt\/Cross-Country Drive, re\u017c.\/dir. Borb\u00e1la Nagy, Deutsche Film- und Fernsehakademie Berlin, Niemcy\/Germany, 20\u201943\u2019\u2019 Beneath the Wheel, re\u017c.\/dir. Eun-mi Kwak, KAFA \u2013 Korean Academy of Film Arts, Korea\/Republic of Korea, 20\u201948\u2019\u2019 Boat People, [&hellip;]<\/p>","protected":false},"author":14,"featured_media":10710,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[101,198,15],"tags":[],"class_list":["post-10712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-competitions-film-database","category-etiuda-competition","category-news"],"_links":{"self":[{"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/10712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=10712"}],"version-history":[{"count":3,"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/10712\/revisions"}],"predecessor-version":[{"id":10724,"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/10712\/revisions\/10724"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media\/10710"}],"wp:attachment":[{"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=10712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=10712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacja.etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=10712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}